When choosing an audio interface you need to look at how many in-studio microphones you will need for your show. They range from simple, single input and output devices to more advanced multi-input and multi-output devices. There are a variety of Audio-Interfaces to choose from.
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If you need more control over your audio you can use a virtual mixer like VoiceMeeter but then you are relying on software which can be risky if the software or your computer crashes. If you have multiple microphones to boost the Cloudlifter may be the more econonomical choice because you won't have to buy multiple devices.Īn audio interface is a device that takes your analog microphones (XLR) and converts the signal to digital and brings the signal into your computer through a USB connection.Īn audio interface is not as complex as a mixer but it takes up less space and works well for many podcasters. I am all for anything that reduces the amount of space and tangle of wires which is whey I switched from a mixer to an audio-interface. The Fethead doesn't require the extra XLR cable and takes up less desk space which is nice. 25db for the Cloudlifter and 27db for the Fethead. They both increase the gain by approximately the same amount. I've read multiple opinions on several forums and some people prefer the Fethead while others prefer the Cloudlifter. Which inline microphone preamp is better? You attach your microphones XLR cable to the other end of the Fethead. The Fethead does not require an additional XLR cable as you plug one end of the Fethead directly into the XLR connection on your microphone. It has an intput and output and uses the supplied phantom power to boost the gain by 27db without passing on the phantom power to the microphone. The Fethead functions in much the same way as the Cloudlifter. The Cloudlifter provides 25 db of gain allowing you to get the same volume level at a lower gain setting on your mixer or audio-interface. You take an XLR cable from your audio interface and plug it into the the input on the cloud lifter and then a second XLR cable goes from the output of the Cloudlifter to the microphone input. The Cloudlifter is essentially a steal box with one (or more) inputs and outputs. This is especially important when using ribbon microphones because phantom power will damage them.
They utilize the phantom power provided by an audio interface or mixer to boost the signal but do NOT pass on the phantom power through to the microphone. You don't have to turn the gain up so high and have a lower noise floor in your recording. The volume controls on the keyboard adjusted the system volume-but all that did was adjust the volume on my external speakers, rather than my AirPods.They take low output dyanmic or ribbon microphones and increase the gain so that you can have a louder, cleaner sound. When I began writing this article, I got my AirPods connected and began playing music, but even when I maxed out the volume in the Music app, the music wasn’t very loud. IDG/Adam Patrick MurrayĪpple AirPods on the Mac: An expereince that needs improvements.
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And if that wasn’t frustrating enough, getting them to reconnect to my Mac was a comedy of errors, as I clicked on Notification Center alerts, on the AirPlay icon in Music, and the Output tab of the Sound system preference. Once I had answered her question, I popped the AirPod back in, at which point it chimed, connected to my iPhone 15 feet away, and began playing back a podcast. I pulled out one AirPod and my music paused-just as it was supposed to. It can take a long time to connect the AirPods, and they seem to disconnect at the drop of the hat.Īs I was writing this article, my wife needed to ask me a question. While iOS 14 brought more intelligent connection and disconnection of AirPods, Big Sur can’t get with the program. But… connecting and disconnecting AirPods on the Mac is so much more frustrating than on iOS.
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